I first discovered Sharon Kay Penman in the Silver Spring library and I’m glad I did as I consider her to be one of my favorite historical fiction authors. Often times historical novelists can be described in one of two ways: they are either very good at prose or they are very good at research. Gore Vidal has a great talent for sentence construction and pithy sayings but the research that informed The Golden Age is sub-par to say the least. Evaluating the prose of a historical novel is inherently subjective, some of my friends love Hilary Mantel and some can’t get past the first chapter of Wolf Hall, but I think anyone who reads a lot of historical fiction has come across at least one well-researched novel they just couldn’t get into.
Sharen Kay Penman, however, is different: she excels at prose and research. Her stories are filled with beautiful, heart-rending scenes–colored by Penman’s vivid imagination but always informed by pain-staking scholarship–and there may be no better example of this than Here Be Dragons.
The story begins in the late 12th century and within the first fifty pages, we are introduced to a litany of characters. Many of these characters have little importance to the plot, some never show up again, and some readers will probably find this off-putting. Historical fiction has many unwritten rules–stick to one POV per section, avoid omniscient narrating, stay away from confusing names–and Penman breaks pretty much all of them. Nonetheless, her writing and her research are so compelling that I think most readers can forgive her these sins.
At times the number of characters we are supposed to keep track of can get overwhelming but the first half of the book revolves largely around three characters: John, Joanna, and Llewelyn.
Each character is interesting in their own right but John’s POV was unexpectedly moving. By and large, we don’t have much reason to like John. He is a narcissistic philanderer with few redeeming qualities and he only becomes worse once he gains more power.
In his mind, he is ever the victim, even when is carrying out terrible atrocities, and he cannot comprehend why anyone would dare to disagree with such a simple truth. Unwilling to heed the advice of learned statesmen, he careens from crisis to crisis with alarming speed and Englanders soon grow weary of his ineptitude. By the end of his life, John has lost favor with just about everyone he holds dear: his wife, his relatives, his advisors, even his children. His final days are filled with unbearable pain, but he accepts it all with impressive equanimity. The imminent prospect of death inspires no small amount of introspection and John remarks, “I think I always knew I would die alone.” It is his most powerful line in all the book and I often find myself thinking on this line when I reflect on John’s storyline. John is an undeniably cruel man and while the line doesn’t justify his cruelty, I think it does help explain his vindictive tendencies and his bitter persona.
John, however, is by no means the only interesting character in the book. His illegitimate daughter, Joanna, makes for a fascinating character and her decisions often drive the plot. Many readers will probably find her thought process frustrating, I often put down the book because I’d be so upset by Joanna’s actions but then I’d have to pick it up again to see how things would play out, but I suspect there are few readers who hate or even strongly dislike her character. If that’s not a testament to Penman’s skill as a writer, it’s hard to know what is.
As for a character that’s easy to like, few of Penman’s characters can hold a candle to Llewelyn. An accomplished diplomat and a skilled warrior, Llewelyn dedicates his life to winning independence for Wales. His ambition is as consuming as it is absolute, but as Penman notes in the epilogue, his dream did not long survive him. Considering the many sacrifices that Llewelyn made on behalf of his country, his inability to win meaningful independence for Wales is all the more galling.
Whether readers are interested in British history or social drama, I highly recommend Here Be Dragons and look forward to reading more of Penman’s work.
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